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Its first chapter, From Contrivance to 'Naturalism', stretches from 1911 to 1929. In it, Anne McCauley, a professor of photography history and modern art at Princeton University, analyzes the works of photographers such as Adolf de Meyer and Edward Steichen and their role in shaping modern fashion imagery. McCauley also examines the impact of magazine tycoons Condé Nast and William Randolph Hearst in creating fashion photography as we know it. A second installment, titled 'Style in the Face of Crisis' and covering the years 1930 to 1946, see Martineau reflect on the evolution of the industry amid the Great Depression, which saw photographers use an increasing amount of color. That chapter also documents how the fashion world turned its attention to the United States, rather than London and Paris, during World War II. The period extending from 1947 to 1969 is told in a chapter called Letting the Skirts down, in which Susanna Brown, a curator of photographs at the Victoria and Albert Museum, takes a look at the post-World-War-II era as well as the transition from 1950s-style femininity to the explosion of styles that marked the 1960s. Michal Raz-Russo, an assistant curator of photography at the Art Institute of Chicago, analyzes the next period, which is dubbed From Rebellion to Seduction and goes from 1970 to 1989. The ongoing sexual revolution was reflected by the works of photographers such as Helmut Newton, Guy Bourdin, and Herb Ritts, while fashion photography also bore the mark of the movement for women's empowerment. The final chapter of the book, titled Ye Fakers: Realism and Fantasy, extends from 1990 to 2011. In it, Ivan Shaw, the corporate photography director of Condé Nast Editions, reflects on the current photography business, and how technological progress has changed fashion photographers and their work. Vintage: This frame by American photographer Gordon Parks, dating back to 1950, captures the feminine style of the era Swimwear: Russian-born American photographer George Hoyningen-Huene took this shot of models in bathing suits in 1930 Style: The book shows the many different forms fashion imagery can take, including street photography.
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